A Day To Remember – The Psychedelic Furs 2018

Tuesday, June 12, 2018. An epic day.

In simple facts, I drove 2 hours to Leicester, went to a gig, caught a few hours sleep in a B&B then drove back home the next day. The truth, however, is so much more…

First of all, when I arrived I had to locate another place to stay, as the first one stank as if someone had died there. Literally. A quick search on booking.com found a cheap, but clean alternative. after checking in, a short walk through the park bought me to the O2 Academy on the Leicester University campus.

It was there that the day turned awesome. I met up with my good friend Paul Garisto, who had invited me up for the day. For those who may not know, Paul is not only an excellent chap, but he’s one of the most solid, creative and brilliant drummers around, plying his trade with The Psychedelic Furs. More about them later.

Paul and I sat in the park for like an hour, just chatting. Music, family, drums, politics, drums again, (quite literally ‘All Of This And Nothing’) which is the way I like to be – doesn’t matter if you share earth-shattering philosophies or complete nonsense, it’s about spending time. Thanks, Paul – it meant a lot to me that you’d take time out for me.furs 3

 

Back inside at 4pm for sound-check, and I met others from the band and beyond. The lovely Amanda Kramer, the awesome saxophonist Mars Williams, and Rich Good, a really great, really cool guy who was also so nice in taking time to talk with me.

I also met a couple of other guys who were such great company and whom I enjoyed spending time with – Jude Rawlins ( former Angelhead and Subterraneans frontman and current guitarist with The Lene Lovich Band – see HERE) and Kevin Hewick, a great singer-songwriter in his own right who works with artists on labels such as Sorted, Pink Box, and Botheration.

Sound check over (it was a little strange stood in the middle of the venue listening to the band at full volume) we had a little time to hang around, swap stories, me to grab a burger, and then it was time for the gig and the arrival of my great mate Pete Galer, who drove up to meet me.

First up –  The Phenomenal Rise of Richard Strange.

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Richard’s stage show was more than a show, more than a collection of tunes. It was pure theatre at its best. His roots go back a long way to his first band, Doctors of Madness. To give you a hint, they were supported by The Sex Pistols, The Jam, and Joy Division. Yes – supported. The album he performed with his band was originally written in 1981, but has eerie connections to modern day US Politics.

Then…… it was time for the main act.

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I’ve said this before, but there’s something about this band, this group of brilliant musicians, that I really… get. There’s great songs, with lyrics that appear at once simple and then phenomenally deep. There are driving rhythms and haunting melodies, unbounded energy and vibe, and the whole thing is sewn together by the two Butler brothers, Tim on bass and Richard with his unique vocals. These are guys who know their art – and it is art – and you never get less than everything.

Starting off with the seminal Dumb Waiters from the great Talk Talk Talk album, through songs such as President Gas, Heartbreak Beat, India, Heaven, Mr Jones, Into You Like A Train, and finishing with the iconic Pretty In Pink, they held the audience in the palm of their hand all night long.

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After the gig, I had the pleasure of catching up with Richard and Tim, along with their guest for the night, Roger Morris – an original member of the band way back in 1977. It’s true – hanging with your heroes is an awesome thing, and they are all just well-grounded, normal people. Although I had heard Richard’s joke about the hairdresser before – it just seemed polite to laugh…

They even signed my vinyl copy of Talk Talk Talk for me…

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Thanks guys – an excellent day, a brilliant gig, and a memory made for life. Until the next time, safe travels, my friends!

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Of Sins Present And Past by John Aulabaugh

 

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New Music.

It’s a phrase that evokes a range of emotions, but these days, more often than not it sadly throws up a depressing image of kids with computers in bedrooms remixing and self-producing in the hope of becoming the world’s next YouTube sensation. Which is why, when a new artist comes along that defies the stereotype, we should sit up and take notice. John Aulabaugh is one such artist.

His debut album, Of Sins Present And Past, dropped into my inbox this week.

John is a musician, a businessman, a father, a son, a husband. He’s seen life with all its triumphs and challenges, and with this album, John brings all his years to bear when telling a story.

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Of Sins Present And Past talks of addiction and recovery, of secrecy and deceit, of compulsion and hurt, pain and recovery. And just as that journey is full of ups and downs, John’s music hits you on unexpected, and at times slightly uncomfortable levels. It sings of despair, desire, destruction, desperation and the hope of ultimate deliverance, through well-written, meaningful lyrics and intelligent, carefully crafted melodies.

If you asked me to pull out a few tracks as standouts? It’s tough, because they are all good, but I’d say that having spent a few days listening, the tracks that I find myself singing are the wonderfully acoustic A Road Less Travelled, the darker, more compulsive Strange, the more laid back, rhythmic feel of Awake, and the beautifully haunting Alice Doesn’t Live Here Anymore. That these tracks each have their own feel and flavor just highlights again how John Aulabaugh has delivered a welcome, refreshing breath of fresh air with Of Sins Present And Past.

This new kid on the alt-country block has been round that block a few times, and his music is all the better for it.

John Aulabaugh‘s debut album, Of Sins Present And Past, is a habit well worth indulging. Featuring such renowned artists as Jessy Greene and Rami Jaffee, it’s at the same time both personal and universal, and deserves all the acclaim it will undoubtably create.

Of Sins Present And Past is released on March 30, 2015.